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About Jens Nagels

The unfocused in art has a long history dating back to the Renaissance and inseparable from the witnessing of natural phenomena. Environment, darkness and fog take us into the diffuse and secretive. In traditional photography textbooks, focus was deemed most valuable and, until the emergence of automatic cameras, made taking photographs visibly difficult for amateurs. Thus, the production of out of focus photographs did not begin it’s triumphal procession as an art form until the last 20 years of the 20th century, with the exception of a brief stint in post-impressionist 1900. One may ask if the differentiation between focus and unfocused qualifies as a stylistic criteria. Let’s say… Read more