2022 | RAW Editions at London Art Fair 2023, London, UK |
| YBA Prints, Lougher Contemporary, Bristol, UK |
| Figura Humana: Modern Representations of the Human Form, Kwiat Art, Los Angeles, USA |
| Häuser - Houses, Galerie Boisseree, Cologne, Germany |
| RAW Editions at London Original Print Fair 2022, London, UK |
| The Drama of Life or the Drama of Representation, Jill Newhouse Gallery, New York, USA |
2021 | ART FOR HAPPINESS, Ludorff, Düsseldorf, Germany |
| Icons & Vandals, West Chelsea Contemporary, New York, USA |
2020 | British Editions, Galerie Maximillian, London, UK |
2019 | RAW Editions : The Christmas Edit, RAW Editions, London, UK |
| Contemporary British Editions, Galerie Maximillian, London, UK |
| Away in the Hill, GRIMM, London, UK |
2018 | Peindre la nuit, Centre Pompidou-Metz, Metz, France |
2017 | Landscape: Urban & Rural, Crown Point Press, San Francisco, USA |
| House Work, Victoria Miro, London, UK |
2016 | Winter Group Show, Crown Point Press, San Francisco, USA |
2015 | Body Shop, Michael Werner Gallery, London, UK |
| Forces in Nature, Victoria Miro, London, UK |
| Lynette Yiadom-Boakye Selects from the V-A-C collection: Natures, Natural and Unnatural, Whitechapel Gallery, London, UK |
2014 | Private Utopia: Contemporary Art from the British Council Collection, Toyko Station Gallery; Itami City Museum of Art; Okayama Prefectural Museum of Art; Kochi Museum of Art, Japan; Dunedin Public Art Gallery, New Zealand |
| Imaginary Portraits: Prince Igor, Gallery Met at the Metropolitan Opera, New York, USA |
2013 | Tumescence: Peter Doig, Sigmar Polke, Peter Saul, Michael Williams, Michael Werner, New York, USA |
| Cloud Illusions I Recall, Irish Museum of Modern Art, Dublin, Ireland |
2012 | Spectral Landscape, Museum of Contemporary Canadian Art, Ontario, Canada |
| A ciel ouvert. Le Nouveau Pleinairisme, Musée national des beaux-arts, Quebec; Canada |
| Rendez-vous der Maler II: Malerei an der Kunstakademie Düsseldorf von 1986 bis heute, Kunstakademie Düsseldorf, Düsseldorf; Germany |
2012 | BLICKWECHSEL ' Landschaft zwischen Bedrohung & Idylle. Von der Neuen Sachlichkeit bis heute, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria |
| Exquisite Corpses: Drawing and Disfiguration, Museum of Modern Art, New York, USA |
| The World as Will and Wallpaper, Le Consortium, Dijon, France |
| Juwelen im Rheingold: 10 Jahre Sammlung Rheingold, Kunsthalle Düsseldorf, Germany |
2011 | Flowers for Summer, Michael Werner Gallery, New York 2011 Perfect Man II, White Columns, New York, USA |
2010 | In the Company of Alice, Victoria Miro Gallery, London, UK |
2009 | Peter Doig and Stephen Hough, Collaboration at Westminster Cathedral, London, UK |
2008 | Series Drawing: An exhibition of works on paper, Michael Werner Gallery, New York, USA |
| Serial Works on Paper, Julius Werner Berlin, Berlin, Germany |
| A Guest of Honour. From Francis Bacon to Peter Doig, Museum der Moderne, Salzburg, Austria |
| Marlon Brando, Pocahontas and Me, Aspen Art Museum, Aspen, Colorado, USA |
| …same as it ever was Painting at Chelsea 1990 – 2007, University of the Arts, London, USA |
2007 | The Painting of Modern Life, The Hayward Gallery, London, UK |
| Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, Dallas, USA |
| Der Symbolismus und die Kunst der Gegenwart, Van der Heydt Museum, Wuppertal, Germany |
| Very Abstract and Hyper Figurative, The Thomas Dane Gallery, London, UK |
| Leerraume des Erzahlens, Wilhelm Lehmbruck Museum, Duisberg, Germany |
| The Secret Public – The Last Days of the British Underground 1978 – 88, ICA, London, UK |
| Rockers Island – Olbricht Collection, Museum Folkwang, Essen, Germany |
2006 | Eye on Europe, Museum of Modern Art, New York, USA |
| In the Alps, Kunsthaus Zürich, Zürich, Switzerland |
| Essential Painting, The National Museum of Art, Osaka, Osaka, Japan |
| How to Improve the World, 60 Years of British Art, Arts Council Collection, Hayward Gallery, London, UK |
| Surprise, surprise, ICA, London, UK |
| Still Points of the Turning World, Site Santa Fe’s 6th International Biennial, Site Santa Fe, New Mexico, USA |
| Once Upon a Time in the West – Part One, Contemporary Fine Arts, Berlin, Germany |
| Whitney Biennial 2006, The Whitney Museum of American Art, New York, USA |
| Tate Triennial 2006: New British Art, Tate Britain, London, UK |
2005 | Black and White: Drawings for Summer, Michael Werner Gallery, New York, USA |
| René Daniels, Peter Doig, Silke Otto-Knapp, Gavin Brown’s enterprise, New York, USA |
| Ideal Worlds; New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt, Germany |
| The Triumph of Painting – Part 1, The Saatchi Gallery, London, UK |
| The Big Bang, Centre Georges Pompidou, Paris, France |
2004 |
| The Undiscovered Country, Hammer Museum, University of California, Los Angeles, USA |
2004 |
| 54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA |
2004 |
| Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art, Dublin, Ireland |
2003 | Days Like These, Triennial Exhibition of Contemporary British Art, Tate Britain, London, UK |
2002 | Lieber Maler, male mir… (Dear Painter, paint me), Schirn Kunsthalle, Frankfurt, Germany |
| Centre Pompidou, Paris, France |
2001 | Hier ist dort, Salzburger Kunstverein, Salzburg, Austria |
2000 | Twisted: Urban and Visionary Landscapes in Contemporary Painting, Van Abbemuseum, Eindhoven, Netherlands |
1997 | Alpenblick, Kunsthalle Wien, Vienna, Austria |
1996 | About Vision: New British Painting in the 1990s, The Fruitmarket Gallery, Edinburgh, Scotland |
| Museum of Modern Art, Oxford, UK |
1994 | Here and Now, Serpentine Gallery, London, UK |
| The Turner Prize Exhibition, Tate Gallery, London, UK |
| Unbound: Possibilities in Painting, Hayward Gallery, London, UK |
1993 | Twelve Stars, Barbican Centre, London, UK |
1991 | Barclays' Young Artist Award, Serpentine Gallery, London, UK |
1982 | New Contemporaries, ICA, London, UK |