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With House of Music, Peter Doig expands his painting into a dimension that had previously remained in the background: the relationship between image, music, and memory. What was once of personal… Read more
Bio Exhibitions
With House of Music, Peter Doig expands his painting into a dimension that had previously remained in the background: the relationship between image, music, and memory. What was once of personal significance becomes here a defining principle of his work – a structure that imbues pictorial space with rhythm and resonance. The point of departure is his exhibition at the Serpentine Gallery, where painting was directly linked to sound for the first time. Central motifs of his work reappear, yet their meaning shifts. The lion in particular – drawing on impressions from Trinidad while also charged with the symbolism of the Lion of Judah – takes on new significance. In Painting for a Poet, it appears isolated and present, almost iconic; in Lions (Ghost), the scene becomes more complex: playful movement meets an undercurrent of threat, intensified by art-historical references and deliberately composed color. The works interweave multiple layers – personal memory, cultural symbolism, and painterly tradition – into image spaces saturated with meaning, yet resistant to fixed interpretation. Thus, this group of works both continues and opens up Doig’s practice: toward a pictorial world in which memory, music, and imagination are even more closely intertwined. A space in which meaning can reverberate.
The works of Peter Doig are characterized by their universal relevance and contemporary atmosphere. With his fiercely eclectic style, the painter is able to impressively depict diverse motifs – from winter sports in the Swiss Alps to carefree life in the Caribbean. His emotional imagery combined with his ability to skillfully stage subjects never fails to impact the viewer. Both landscapes and figures come into focus as Doig intertwines art historical and personal references into his compositions. The Zermatt series was not Doig’s first exploration of winter motifs – he painted snowy Canadian landscapes in the 1990s. His enthusiasm for the alpine village of Zermatt and his friendship with Swiss artist Heinz Julen resulted in an extended stay between 2020 and 2021. He drew inspiration from his surroundings as well as ski resort advertisements to create his own interpretation of winter activities.
Intuition is at the heart of Peter Doig’s work process. He describes his approach as a journey whose destination is unknown. That said, a variety of sources – such as film and music – play an equally important role in the creation of his works. Tropical motifs, as seen in the Fischerman, are present in Doig’s most famous compositions. Having lived on the Caribbean Island of Trinidad with his family for many years, the origin of such themes is traceable.
Scottish-born painter Peter Doig is celebrated as one of the most important representational painters working today. Not only have his works been auctioned for millions, but they’ve also been exhibited in the world’s most notable museums, such as Museum of Modern Art in New York and the British Museum in London. Doig has served on the Tate Gallery's artistic board of directors in London and worked as an adjunct professor of painting at the Kunstakademie Düsseldorf.
| 1959 | born in Edinburgh, Scotland |
| spent his childhood in Trinidad, Canada and London, UK | |
| 1980-1983 | Wimbledon School of Art |
| 1989-1990 | Chelsea School of Art, MA |
| 1995-2000 | Trustee of Tate Gallery, London, UK |
| 2005 | Professor at the Kunstakademie Düsseldorf |
| 2008 | Wolfgang Hahn Prize of the Gesellschaft für Moderne Kunst at Museum Ludwig, Cologne |
| lives in Trinidad |
| 1990 | Whitechapel Artist Prize |
| 1993 | John Moores Painting Prize |
| 2008 | Wolfgang Hahn Prize |
| 2009 | amfAR Award of Excellence for Artistic Contributions to the Fight Against AIDS |
| 2017 | Whitechapel Gallery Art Icon |
| 2025 | Praemium Imperiale – Painting |
| 2025–2026 | Peter Doig: House of Music, Serpentine South Gallery, London, UK |
| 2023–2024 | Peter Doig: Reflections of the Century, Musée d’Orsay, Paris, France |
| 2023 | Peter Doig, The Courtauld Gallery, London, UK |
| 2019 | Peter Doig: Paintings, Michael Werner Gallery, London, UK |
| 2017 | Peter Doig | Cabins and Canoes: The Unreasonable Silence of the World, Faurschou Foundation, New York, USA |
| 2015 | Peter Doig, Michael Werner Gallery, New York, USA Peter Doig, Fondazione Bevilacqua La Masa, Palazzetto Tito, Venice, Italy |
| 2014 | Peter Doig, Fondation Beyeler, Basel, Switzerland; Louisiana Museum of Modern Art, Humlebæk, Denmark |
| 2013 | Peter Doig: Early Works, Michael Werner Gallery, New York, USA; London, UK No Foreign Lands, National Galleries of Scotland, Edinburgh, UK; Musée des Beaux-Arts de Montréal, Montréal, Canada |
| 2012 | Peter Doig: New Paintings, Michael Werner Gallery, London, UK |
| 2011 | Siegfried + Poster Project, Gallery Met at the Metropolitan Opera, New York, USA; Musée d’Art Moderne de la Ville de Paris, Paris, France |
| 2009 | Not for Sale, Contemporary Fine Arts, Berlin, Germany Peter Doig: New Paintings, Michael Werner Gallery, New York, USA; Gavin Brown’s Enterprise, New York, USA |
| 2008 | Peter Doig, Tate Britain, London, UK; Musée d’Art Moderne de la Ville de Paris, Paris, France; Schirn Kunsthalle Frankfurt, Germany |
| 2006 | Peter Doig: Studiofilmclub 2003–2006, Ballroom Marfa, Texas, USA Go West Young Man, Museum der bildenden Künste, Leipzig, Germany |
| 2005 | Peter Doig: Works on Paper, Dallas Museum of Art, Texas, USA; The Gallery at Windsor, Florida, USA; Art Gallery of Ontario, Toronto, Canada Peter Doig: Studio Film Club, Museum Ludwig, Cologne, Germany; Kunsthalle Zürich, Switzerland |
| 2004 | Peter Doig, Pinakothek der Moderne, Munich, Germany Peter Doig, Kestner Gesellschaft, Hanover, Germany |
| 2003 | Charley’s Space, Bonnefanten Museum, Maastricht, Netherlands Peter Doig, Carré d’Art contemporain de Nîmes, France |
| 2000 | Echo Lake Matrix, University of California, Berkeley, USA Peter Doig, Museum of Contemporary Art, Miami, USA Peter Doig, Saint Louis Art Museum, Missouri, USA |
| 1999 | Version, Kunsthaus Glarus, Switzerland |
| 1998 | Peter Doig: Blizzard Seventy-Seven, Kunsthalle Kiel, Germany; Kunsthalle Nürnberg, Germany; Whitechapel Gallery, London, UK |
| 1996 | Homely, Gesellschaft für Aktuelle Kunst, Bremen, Germany |
| 2026 | Songs of Innocence & Experience, part II, Ingleby Gallery, Edinburgh, UK |
| 2025 | Flirt and Fantasy: Griffelkunst from Max Klinger to Peter Doig, Kunsthalle Bremen, Bremen, Germany Drawing, Painting, Sculpture, Photography, Film, Video, Sound – Ringier Collection 1995–2025, Langen Foundation, Neuss, Germany Circa 1995: New Figuration in New York, David Zwirner, New York, USA 44 Years of Print Publishing 1982–Until Now, Knust Kunz Gallery Editions, Munich, Germany |
| 2024 | Portrait of a Collection: Selected Works from the Pinault Collection, SONGEUN Art and Cultural Foundation, Seoul, South Korea |
| 2023/24 | Works from a Private Collection – from Bourgeois to Valdés, Beck & Eggeling International Fine Art, Düsseldorf, Germany |
| 2022 | Exquisite Corpses: Drawing and Disfiguration, Museum of Modern Art, New York, USA The World as Will and Wallpaper, Le Consortium, Dijon, France |
| 2018 | Peindre la nuit, Centre Pompidou-Metz, Metz, France |
| 2017 | House Work, Victoria Miro, London, UK |
| 2015 | Forces in Nature, Victoria Miro, London, UK Lynette Yiadom-Boakye Selects from the V-A-C Collection: Natures, Natural and Unnatural, Whitechapel Gallery, London, UK |
| 2014 | Private Utopia: Contemporary Art from the British Council Collection, Tokyo Station Gallery; Itami City Museum of Art; Okayama Prefectural Museum of Art; Kochi Prefectural Museum of Art, Japan; Dunedin Public Art Gallery, New Zealand |
| 2013 | Cloud Illusions I Recall, Irish Museum of Modern Art, Dublin, Ireland |
| 2012 | Spectral Landscape, Museum of Contemporary Canadian Art, Toronto, Canada A ciel ouvert. Le nouveau pleinairisme, Musée national des beaux-arts du Québec, Québec, Canada Blickwechsel: Landscape between Threat and Idyll. From New Objectivity to Today, Tiroler Landesmuseum Ferdinandeum, Innsbruck, Austria |
| 2008 | A Guest of Honour: From Francis Bacon to Peter Doig, Museum der Moderne, Salzburg, Austria Marlon Brando, Pocahontas and Me, Aspen Art Museum, Aspen, USA |
| 2007 | The Painting of Modern Life, Hayward Gallery, London, UK Fast Forward: Contemporary Collections for the Dallas Museum of Art, Dallas Museum of Art, Dallas, USA Rockers Island – Olbricht Collection, Museum Folkwang, Essen, Germany |
| 2006 | Eye on Europe: Prints, Books & Multiples / 1960 to Now, Museum of Modern Art, New York, USA In the Alps, Kunsthaus Zürich, Zurich, Switzerland Essential Painting, National Museum of Art, Osaka, Japan How to Improve the World: 60 Years of British Art, Hayward Gallery, London, UK Whitney Biennial 2006: Day for Night, Whitney Museum of American Art, New York, USA Tate Triennial 2006: New British Art, Tate Britain, London, UK |
| 2005 | Ideal Worlds: New Romanticism in Contemporary Art, Schirn Kunsthalle Frankfurt, Germany The Triumph of Painting – Part 1, Saatchi Gallery, London, UK The Big Bang, Centre Pompidou, Paris, France |
| 2004 | The Undiscovered Country, Hammer Museum, Los Angeles, USA 54th Carnegie International, Carnegie Museum of Art, Pittsburgh, USA Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art, Dublin, Ireland |
| 2003 | Days Like These: Tate Triennial Exhibition of Contemporary British Art, Tate Britain, London, UK |
| 2002 | Dear Painter, Paint Me, Schirn Kunsthalle Frankfurt, Germany; Centre Pompidou, Paris, France |
| 2000 | Twisted: Urban and Visionary Landscapes in Contemporary Painting, Van Abbemuseum, Eindhoven, Netherlands |
| 1997 | Alpenblick, Kunsthalle Wien, Vienna, Austria |
| 1996 | About Vision: New British Painting in the 1990s, Fruitmarket Gallery, Edinburgh, UK; Museum of Modern Art Oxford, Oxford, UK |
| 1994 | Here and Now, Serpentine Gallery, London, UK The Turner Prize Exhibition, Tate Gallery, London, UK Unbound: Possibilities in Painting, Hayward Gallery, London, UK |
| 1993 | Twelve Stars, Barbican Centre, London, UK |
| 1991 | Barclays Young Artist Award, Serpentine Gallery, London, UK |
| 1982 | New Contemporaries, Institute of Contemporary Arts, London, UK |