- Exclusive offers
- Inspiring new releases
- Personal invitations to Art Events
Isabelle Menin
ABOUT THE WORK
Distorted Nature
It is immediately apparent that Isabelle Menin’s artistic background is in painting. Her bright colours and invigorating, fanciful manipulation of texture and materiality have enthralled the art community. Menin’s works are like vortexes, pulling viewers in deeper and deeper.
Menin describes her…
Read more
Intro Bio Exhibitions Interview
Our Curators recommend
The Tender Land 5
Distorted Nature
from $ 599 to $ 1,399
Dream River 07
Distorted Nature
from $ 599 to $ 5,390
Only In Your Heart 02
Distorted Nature
from $ 1,049 to $ 4,590
Dream River 04
Distorted Nature
from $ 699 to $ 7,590
Dream River 06
Distorted Nature
from $ 799 to $ 1,399
From a Dream 01
Distorted Nature
from $ 549 to $ 1,499
Up To The Sky
Distorted Nature
$ 1,999
Only In Your Heart
Distorted Nature
from $ 1,049 to $ 2,290
Up To The Sky 02
Distorted Nature
from $ 1,399 to $ 2,990
Tondo 2
Distorted Nature
from $ 599 to $ 4,190
Tondo 1
Distorted Nature
from $ 699 to $ 4,190
Midnight 01
Distorted Nature
from $ 849 to $ 5,590
Midnight 02
Distorted Nature
from $ 599 to $ 2,190
La Vie en Rose
Distorted Nature
from $ 849 to $ 5,590
Elusive Paradise
Distorted Nature
from $ 1,599 to $ 3,190
Lude Nº 11
Minis
$ 159
L'Embarquement pour Cythère Nº 11
Minis
$ 159
Elusive Paradise
Minis
$ 359
Dream River 01
Minis
$ 239
Background Information about Isabelle Menin
Introduction
ABOUT THE WORK
Distorted Nature
It is immediately apparent that Isabelle Menin’s artistic background is in painting. Her bright colours and invigorating, fanciful manipulation of texture and materiality have enthralled the art community. Menin’s works are like vortexes, pulling viewers in deeper and deeper.
Menin describes her compositions as “Inland photographs and disordered landscapes”, as a means of drawing parallels between the complexity of the human character and that of nature. The inspiration for her work is drawn in part from Peter Paul Rubens and the so-called “Flemish Primitives”, an artistic circle prominent in the 15th and 16th Centuries that included Jan van Eyck, Hans Memling and Rogier van der Weyden. Menin’s link to the Flemish masters can be seen in her endeavour to create a distinctive form of reality inside fictional worlds.
ABOUT THE ARTIST
Born in 1961, Isabelle Menin currently lives and works in Brussels, Belgium. After graduating from the Graphic Research School (ERG) in Brussels, in 1999, she explored painting for around 10 years, while working both graphic design and illustration jobs for various clients. Nature has always been a recurring theme for the artist, particularly flora, as aforementioned, starting with her interest in painting. After exhibiting some of these paintings in Belgium during the 1990s, Isabelle Menin decided to abandon the paintbrush and turned her interest photoshop and digital photography, in the late 90s. Still pursuing her interest in flowers, just on a new digital path, she begun a journey of experimentation. She started viscerally taking pictures of the flora that surrounded her and scanning these pictures. She doesn’t photograph a complete arrangement, but rather individual flowers. Which means each single anemone and each orchid is brought in front of the camera, perfectly illuminated and captured with technical expertise. She built up her vast digital collection with these individual shots, piece by piece. Once they are transcribed into a digital palette, she juxtaposes the individual flowers over each other creating complex, multi-layered collages. Some flowers might be moved to the background to create more spatial depth, others she might pile over one another to form delicate mountains. Her incredibly elaborate, ephemeral compositions of flora seem to belong in a world of dreams rather than reality. This is still the way she works today, however, with an entire ocean of flowers to choose from and with better technical and digital skills to apply to her creations. Often her final works are large enough to crash a computer’s processing power. She continues to experiment with digital textures and colors, transforming them, mixing them, and giving shape to their fictional nature, which retains both a dense and flamboyant feel at the same time. Isabelle Menin continues to exhibit across the world and her work is now recognized around the world, through an ever stronger loyal collector base.
Distorted Nature
It is immediately apparent that Isabelle Menin’s artistic background is in painting. Her bright colours and invigorating, fanciful manipulation of texture and materiality have enthralled the art community. Menin’s works are like vortexes, pulling viewers in deeper and deeper.
Menin describes her compositions as “Inland photographs and disordered landscapes”, as a means of drawing parallels between the complexity of the human character and that of nature. The inspiration for her work is drawn in part from Peter Paul Rubens and the so-called “Flemish Primitives”, an artistic circle prominent in the 15th and 16th Centuries that included Jan van Eyck, Hans Memling and Rogier van der Weyden. Menin’s link to the Flemish masters can be seen in her endeavour to create a distinctive form of reality inside fictional worlds.
ABOUT THE ARTIST
Born in 1961, Isabelle Menin currently lives and works in Brussels, Belgium. After graduating from the Graphic Research School (ERG) in Brussels, in 1999, she explored painting for around 10 years, while working both graphic design and illustration jobs for various clients. Nature has always been a recurring theme for the artist, particularly flora, as aforementioned, starting with her interest in painting. After exhibiting some of these paintings in Belgium during the 1990s, Isabelle Menin decided to abandon the paintbrush and turned her interest photoshop and digital photography, in the late 90s. Still pursuing her interest in flowers, just on a new digital path, she begun a journey of experimentation. She started viscerally taking pictures of the flora that surrounded her and scanning these pictures. She doesn’t photograph a complete arrangement, but rather individual flowers. Which means each single anemone and each orchid is brought in front of the camera, perfectly illuminated and captured with technical expertise. She built up her vast digital collection with these individual shots, piece by piece. Once they are transcribed into a digital palette, she juxtaposes the individual flowers over each other creating complex, multi-layered collages. Some flowers might be moved to the background to create more spatial depth, others she might pile over one another to form delicate mountains. Her incredibly elaborate, ephemeral compositions of flora seem to belong in a world of dreams rather than reality. This is still the way she works today, however, with an entire ocean of flowers to choose from and with better technical and digital skills to apply to her creations. Often her final works are large enough to crash a computer’s processing power. She continues to experiment with digital textures and colors, transforming them, mixing them, and giving shape to their fictional nature, which retains both a dense and flamboyant feel at the same time. Isabelle Menin continues to exhibit across the world and her work is now recognized around the world, through an ever stronger loyal collector base.
Bio
| 1961 | Born in Brussels, Belgium |
| Studied Art at the School of Graphic Research in Brussels | |
| Lives and works in Brussels |
Exhibitions
Solo Exhibitions
| 2020 | Art on Paper NYC ,Muriel Guépin Galerie, New York, USA Isabelle Menin - Focus ,Bau-Xi Galerie, Toronto, Canada Isabelle Menin - Focus ,Bau-Xi Galerie, Vancouver, Canada |
| 2019 | Art on Paper NYC ,Muriel Guépin Galerie, New York, USA Art on Paper Hong Kong ,Muriel Guépin Galerie, Hong Kong, China Art Market San Francisco ,Muriel Guépin Galerie, San Francsico, USA Aqua Art Fair ,Miami, USA |
| 2018 | Pulse Miami Art fair , Muriel Guépin Galerie, Miami, USA Fotofever Paris Carousel du Louvres ,Muriel Guépin Galerie, Paris, France Texas Contemporary Art Fair , Muriel Guépin Galerie, Houston, USA Seattle Art Fair, Muriel Guépin Galerie, Seattle, USA Art Market san Francisco ,Muriel Guépin Galerie, San Francisco, USA Art on Paper NYC ,Muriel Guépin Galerie, New York, USA |
| 2017 | Garden on Orchard, Muriel Guépin Gallery, New York, USA |
| Seattle Art Fair, Muriel Guépin Gallery, New York, USA | |
| Gothic Show, Lehman College Art Gallery, New York, USA | |
| 2016 | Karen Margolis and Isabelle Menin, Muriel Guépin Gallery, New York, USA |
| Round it up!, Muriel Guépin Gallery, New York, USA | |
| Art Market San Francisco, San Francisco, USA | |
| Total Flora, Galerie Christine Knauber, Berlin, Germany |
Group Exhibitions
| 2020 | Simple Tones, Muriel Guépin Galerie, New York, USA |
| 2019 | Winter Blues, Muriel Guépin Galerie, New York, USA Group Show Pryor Fine Art Galerie, Atlanta, USA Group Show Gilman Contemporary Galerie, Idaho, USA |
| 2018 | The Collector’s Show , Muriel Guépin Galerie, New York, USA That’s All Folks ! , Muriel Guépin Galerie, New York, USA |
| 2016 | Belgium Modern Art Exhibition, Hongqiao Museum, Shanghai, China |
| OFF Art Fair, Brussels, Belgium | |
| Kunstraï, Amsterdam, Netherlands | |
| MIA Fair, Milano, Italy | |
| Setup Contemporary Art Fair, Bologna, Italy | |
| Fotofever - Carrousel du Louvre, Paris, France | |
| The Perception of Beauty - Group show, Sophie Marée Gallery, The Hague, Netherlands | |
| Femmes de Belgique - Group Show, Sophie Marée Gallery, The Hague, Netherlands | |
| FLORA, Musée des Beaux-Arts, Mons, Belgium | |
| 2013 | The Perception of Beauty, Sophie Marée Gallery, The Hague, Netherlands |
| Les Femmes de Belgique, Sophie Marée Gallery, The Hague, Netherlands | |
| 2011 | Belgium Modern Art Exhibition, Hongqiao Museum, Shanghai, China |
| 2010 | 250/3, Galerie Antonio Nardone, Brussels, Belgium |
| 1999 | FLORA, Musée des Beaux-Arts, Mons, Belgium |
Interview
When did you become interested in art? How did it all begin?
I can’t remember a time when I wasn’t interested in art. For my 6th birthday, my uncle took me to the opera – we saw Carmen, which is manageable for a child.
Immediately, I was hooked. I fell in love with the sets, the music, the emotions, the intensity - from that point on, my life was devoted to art. I became totally committed to the cause - or at least, to the feelings that it provoked in me.
How would you describe your work process?
My work is centered around digitally manipulated photography. I not only photograph the flowers in my images, but also the many other elements that make up my work – water, sky, stones, really any object or material with a shape, color or texture that interests me. I then combine these elements into a type of landscape, endeavouring to create a sense of balance. Sometimes, I will even layer several images that I previously considered finished to create one complete artwork. I build, destroy, assemble and re-assemble until I am satisfied that the final image has revealed itself. Arriving at this stage is a very personal and delicate journey.
Who inspires you?
Rather than 'who', I would say ‘what’. Love.
Which artists/works of art are you particularly impressed with at the moment?
I’m currently fascinated by the classical French landscape movement of the 16th and 17th centuries – artists like Le Lorrain, Poussin, Watteau etc. I love the way these artists broke the rules of classicism to create wild new landscapes.
What distinguishes a good work of art?
A work of art should open a door into ourselves, illuminate the darkest parts of our being and ultimately lead us closer to joy, pain and the meaning of life.
What is the purpose of art?
In my opinion, art exists to maintain our faith in humanity.
Does art bring about happiness?
I suppose that art can make us happy, in the sense that it can be consoling. At the very least, it can alleviate some of our suffering and help us to come to terms with life – this can provide a small degree of happiness.
I can’t remember a time when I wasn’t interested in art. For my 6th birthday, my uncle took me to the opera – we saw Carmen, which is manageable for a child.
Immediately, I was hooked. I fell in love with the sets, the music, the emotions, the intensity - from that point on, my life was devoted to art. I became totally committed to the cause - or at least, to the feelings that it provoked in me.
How would you describe your work process?
My work is centered around digitally manipulated photography. I not only photograph the flowers in my images, but also the many other elements that make up my work – water, sky, stones, really any object or material with a shape, color or texture that interests me. I then combine these elements into a type of landscape, endeavouring to create a sense of balance. Sometimes, I will even layer several images that I previously considered finished to create one complete artwork. I build, destroy, assemble and re-assemble until I am satisfied that the final image has revealed itself. Arriving at this stage is a very personal and delicate journey.
Who inspires you?
Rather than 'who', I would say ‘what’. Love.
Which artists/works of art are you particularly impressed with at the moment?
I’m currently fascinated by the classical French landscape movement of the 16th and 17th centuries – artists like Le Lorrain, Poussin, Watteau etc. I love the way these artists broke the rules of classicism to create wild new landscapes.
What distinguishes a good work of art?
A work of art should open a door into ourselves, illuminate the darkest parts of our being and ultimately lead us closer to joy, pain and the meaning of life.
What is the purpose of art?
In my opinion, art exists to maintain our faith in humanity.
Does art bring about happiness?
I suppose that art can make us happy, in the sense that it can be consoling. At the very least, it can alleviate some of our suffering and help us to come to terms with life – this can provide a small degree of happiness.
You may also like these artists