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Antoinette Birds

2017 / 2017 OHA51
Antoinette Birds
Sizes:
19.7 x 14.2
Bestseller
47.2 x 33.9
Sold out
Select finishing/framing:
Photo mount frame Hamburg
profile width: 0.79", Spessart Oak, Black, 29.1 x 23.6" (External dimensions) profile width: 1.06", Black, 29.7 x 24.2" (External dimensions) Pigment Print On Hahnemühle William Turner (matte) not mounted or framed. Shipped rolled.
profile width: 0.79", Spessart Oak, Black, 29.1 x 23.6" (External dimensions)

Unfortunately, this artwork is no longer available in this size.

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BACKGROUND INFORMATION
ABOUT THE WORK

Flowerheads

Olaf Hajek is a magician with colours, a virtuoso illustrator and a storyteller. His Flowerheads are brimming with details just waiting to be discovered. Using rich colours, he creates enchanting worlds atop women’s heads. These mystical “hairstyles” spark the imagination.

The Flowerheads series combines the art of portrait and still-life painting to make something that has never been seen before. Hajek gives us a glimpse into the way other cultures think, and while the individual components are very familiar, their unique arrangement makes them feel foreign. In Hajek’s surreal compositions, narratives grow and secrets bloom.

Selection

With his almost surreal approach, Olaf Hajek brings the world of fables and floral splendour back into our consciousness. The illustrator with a predilection for flowers draws from a rich treasure trove of experience, which he continues to expand through his many travels.

In his work, you just as likely to discover references to the floral art of the 18th century as to the folksy palette of Russian lacquer painting. Or perhaps you will find a delicate hand resembling that of an Indian temple dancer holding a bouquet of flowers reminiscent of a Dutch genre painting… Olaf Hajek plays with stylistic and illustrative elements from different eras and cultural origins, using the well-known in a contemporary and ingenious way.

ABOUT THE ARTIST

The New York Times, The Guardian, Forbes, Rolling Stone, Süddeutsche Magazin, and Stern are just a few of the publications whose pages have been graced with Olaf Hajek’s work. Stylistically, the illustrator has his finger on the detailed and flowery pulse of the times, which has brought him international success. He describes his own style as “the imperfection of beauty”.

Olaf Hajek was born in Rendsburg, Germany in 1965. After he finished his degree in Graphic Design at the University of Applied Sciences in Düsseldorf, Hajek moved to Amsterdam and began to work as a freelance artist. His first assignment came from Dutch Playboy, which was, at the time, a classic magazine known for its illustrations. The rest is a global success story. Olaf Hajek primarily lives and works in Berlin, but travels frequently and is represented by an agency on nearly every continent.

TECHNIQUE

As an illustrator, Olaf Hajek learned to bring words to life with his pictures. However, when this master of fantastical drawing is given full creative reign, it would be entirely superfluous to accompany his pictures with words. Hajek is a storyteller and a global border-crosser. He transcends clichés and prejudices, and samples from diverse cultural pools until he finds access into a new world.

An “image collector”, Olaf Hajek creates extraordinary concepts from everything he discovers: on his travels, in magazines, or on the internet. African traditions, Indian temple art, South American folklore, and pop culture are all expressed in new ways in his pieces. His style is extremely recognisable. Hajek plays with motifs of flora and fauna, with archaic symbols and current themes, working them all into his pieces in great detail and splendid colour. Above all else, he is a technically perfect illustrator; he creates new visual patterns, scenes, and creative portraits and characters that enchant all those who behold them.

Everyone who paints a flower, paints a flower, but he does not actually know what mysteries it holds. Nature just fascinates me.
Olaf Hajek

VITA
1965 born in Rendsburg, Germany
Studied Graphic Design and Illustration at the Düsseldorf University of Applied Sciences, Germany
Lives and works in Berlin, London, and New York
Exhibitions
2021E Jardín del Explorador, Gallery Kaplan Projects, Palma de Mallorca, Spain
2020Paradiese, Museum Haus Löwenberg, Gengenbach, Germany
2018Paravent, Southern Guild Gallery Cape Town, South Africa
2017Au Marché, Anna Jill Lüpertz Gallery Berlin, Germany
2016Jäger und Sammler, Anna Jill Lüpertz Gallery Berlin/ Munich, Germany
Green Room, Whatiftheworld Gallery, Cape Town, South Africa
2015Precious, Anna Jill Lüpertz Gallery Berlin/ Hamburg, Germany
2013Life, Anna Jill Lüpertz Gallery Berlin, Germany
Strange Flowers, Whatiftheworld Gallery, Cape Town, South Africa
2012The King has lost his Crown, Anna Jill Lüpertz Gallery Berlin, Germany
2011Werft 2, AJL ART Berlin, Germany
Whatiftheworld Gallery, Cape Town, South Africa
2010Marcia Wood Gallery, Atlanta USA
Flowerhead, Direktorenhaus, Berlin

2020Dark Patterns, Feinkunst Krüger, Hamburg, Germany
2014Lieber Künstler, zeichne mir, Semjon Contemporary, Berlin, Germany
2012Black Antoinette, Gestalten Space, Berlin, Germany
2009 Illustrative 09, Berlin, Germany
2008Maskerade, Galerie Johanssen, Berlin, Germany
2007Illustrative 07 Paris, France
BBAX07, Buenos Aires, Argentina
2004NOTANGO, Berlin, Germany
INTERVIEW
Picasso once said, „You don’t make art, you find it.” Where do you find art? Art is everywhere, but it evolves throughout the creative process. I like to surprise myself by allowing the art guide me.
From concept to creation: How do you approach your work?
The ideas forms as an image in my head.
I sometimes create a rough sketch through simple strokes, but the true process begins on the canvas. I start with a colored background, to which I add a structure and patina.
This process gives rise to further ideas and distinctive shapes begin to arise.
What color should I incorporate and which shape should I start wth?
This initial decision often determines the outcome of the composition.
What’s your favorite book?
A small, now tattered, book on ancient Korean art that has inspired me for years.
Which artist would you like to have coffee with and what would you discuss?
I would choose to meet Peter Doig. We would discuss light, color, patience, impatience, passion, and each other's perspective of beauty.
How did you interest in art develop?
I discovered art as a child and knew I found something special – because passion is the greatest gift of all.

Who in your life influences you the most?

Creatives.
If you had a time machine, where would you travel?
1970s New York.
What is your greatest passion – aside from art?
Literature and cooking.
What are you working on at the moment?
I just opened a solo exhibition in Palma de Mallorca and I'm also working on a new picture book for Prestel Verlag.


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