Ursula Kaufmann

Pina Bausch: Frühlingsopfer

2003
Limited Edition, Edition of: 100, Signed
Limited Edition, Edition of: 100, Signed
26.3 x 39.4
bestseller
39.4 x 59.1
bestseller
Change Frame
Frame

Mounted under acrylic glass, depth 2 mm glossy, Frameless, 26.3 x 39.4" (External dimensions)

Floater frame Basel, profile width: 15 mm, with acrylic glass glossy, Canadian Maple, Brown, 28.0 x 41.1" (External dimensions)

On premium paper. Not mounted or framed. Shipped rolled.

Change Frame
Frame

Mounted under acrylic glass, depth 2 mm glossy, Frameless, 39.4 x 59.1" (External dimensions)

Floater frame Basel, profile width: 15 mm, with acrylic glass glossy, Canadian Maple, Brown, 41.1 x 60.8" (External dimensions)

On premium paper. Not mounted or framed. Shipped rolled.

$ 999.00
Plus tax and $ 39 in shipping. | Article No. UKA05
1262 Pina Bausch: Frühlingsopfer https://img-lumas-avensogmbh1.netdna-ssl.com/showimg_uka05_search.jpg 999 USD Ursula Kaufmann InStock /artists/pina bausch /artist/ursula_kaufmann /search/category/menschen/catalog/topics/ /search/category/bewegung/catalog/topics/ Lumas Woman female dancers female dancer theatrical Expression Theatre Music Stages Stage Dance analog photography analog Photography Women Pose Poses Movement dancing Group Groups Jump dark black Man Men beige
Background Information about Ursula Kaufmann
Introduction
For a long time, stage photography was considered an inferior shoot in the big garden of photographic genres. The pictures taken had to be well focused in order to recognize the actors, they had to be restricted to black and white to be suitable for the newspapers, and, if at all possible, they should reflect the atmosphere of the production. Nothing more was needed. In the meantime ambitious stage photographers have helped make blurred images and color acceptable in theater business. Ursula Kaufmann, born in 1946, has supported this trend during the past two decades, but still is not satisfied. Not only does she cross the traditional lines lines of stage photography, in her “dance landscapes” after Pina Bausch’s choreography Kaufmann has gone to the limits has gone to the limits of the medium itself. Her photographs radiate overwhelming energy and dynamism, they play with the fine line between pure expressivity and eroticism, between life-style and excess. Flushes of color until near dissolution, manneristic cat walk stylings and sensual portraits take turns, thus almost letting us forget that these are all staged theater productions. Nonetheless, through all the excessive esthetics, these photographs also speak of the stage: they reflect the art of acting in their interplay of calmness and movement, speech and silence.
Bio
1946born in Essen
since 1984Dance and Ballet Photography

Exhibitions
2005Kulturfabrik Heeder, Krefeld
Kunstpavillon der Stadt Essen
2004„Pixelprojekt – Ruhrgebiet“, Wissenschaftspark Gelsenkirchen
FolkwangHochschule, Essen
2003Akademie der Künste, Berlin
2000EXPO 2000, Hannover
1999Kulturforum Alte Post, Neuss
1998tanzhaus nrw, Düsseldorf
Theatermuseum der Landeshauptstadt Düsseldorf
1995 Aaltotheater, Essen
Internationale Hertener Fototage