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Tomislav Marcijuš' "Baroque Pools II": a baroque hall, carried by the memories of a journey through Budapest’s bathhouses and Italy’s churches.
From $549. Available for three days—then gone for good.
| Edition | Limited to 100 pieces |
| Format | 31.5"x26" |
| Technique | Lambda Color Print |
| Finishes | Laminated under acrylic glass Barcelona frame with shadow gap, black-gold |
| Certificate | Signed and numbered |
| Price | $549 |
| Availability | 15–17 August |
Available in two premium finishes, hand-signed and limited.
Under Acrylic Glass
Frameless mounting under high-gloss acrylic glass, which intensifies the work’s color brilliance, depth, and spatial presence.
$549
Elegantly Framed
Mounted under acrylic glass, framed in a black-and-gold “Barcelona” shadow-gap frame. The gold frame complements the Baroque visual style, while the shadow gap makes the work appear to float and enhances its spatial presence.
$649
Signed and Numbered
Each piece is signed by Tomislav Marcijuš and comes with a numbered certificate. After 100 pieces, the edition closes.
"Inspiration doesn’t always come to me as a big idea—more often, it appears as a feeling or a fragment, fascinating enough to make me want to explore it further."
— Tomislav Marcijuš
Tomislav Marcijuš, a Croatian artist and photographer, developed his sense of space and proportion at the School of Construction—an instinct that meets influences like Tarkovsky's cinema and collage artists such as Miró and Matisse in his work. His sensory approach to light and mood makes him sought-after across genres, from award-winning wedding photographer to fine artist. With "Baroque Pools II", the interplay of artistic vision and generative technology turns rooms that once existed only as memory into places you can walk into.
A Pictorial Space That Turns Any Wall Into a Stage.
At 31.5"x26", it finds its place above a sideboard just as naturally as on an open wall—drawing the eye into the depth beyond.
Where Baroque Pools Comes From
Between baroque theatricality, quiet intimacy and digital illusion, scenes emerge that feel familiar, yet have never existed before.
The works draw on Marcijuš's long-standing photographic engagement with bathhouses, churches and villa interiors between Budapest and Italy, istilled into speculative scenarios. Water acts here as both an ordering and a dissolving force: it softens the rigor of baroque forms and lends them a weightless lightness. Born from the interplay of artistic vision and generative technology, AI serves here not as an author but as a creative medium—a symbiosis of human intuition and algorithmic process that gives Marcijuš's memories a space that can be stepped into.
330,000+ satisfied collectors
Since 2004
19 galleries worldwide
Personal advice
60-day return policy
No reason required
Three days. 100 pieces.
This edition is available until August 17, 11:59 PM.
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