pdp.preview.ar-cta.header
Preview on your Wall
Scan me and see this artwork on your own wall! (iPhone only)

Point the iPhone at the desired wall (approx. 10 feet distance) and press start.

Monsoon

Sizes:
13.8 x 27.6
23.6 x 47.2
Please Call
31.5 x 63.0
Select finishing/framing:
Mounted under acrylic glass
depth 0.08" glossy, frameless, 13.8 x 27.6" (External dimensions) with acrylic glass glossy, Black, 14.3 x 28.0" (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 0.08" glossy, frameless, 13.8 x 27.6" (External dimensions)

Select finishing/framing:
Mounted under acrylic glass
depth 0.08" glossy, frameless, 31.5 x 63.0" (External dimensions) with acrylic glass glossy, Black, 32.0 x 63.5" (External dimensions) On premium paper (glossy) not mounted or framed. Shipped rolled.
depth 0.08" glossy, frameless, 31.5 x 63.0" (External dimensions)
2018 / 2023 / EBL09
page.detail.shipment.estimation.sale-item
Plus tax and $ 29.90 in shipping.

READY TO HANG

Out of the box, all LUMAS artworks are ready and easy to hang.

SECURELY PACKAGED

LUMAS works are always packed to the highest standard to make sure it arrives as perfectly as it leaves us.

ARTIST SUPPORTED

Your purchase supports the free and independent work of your favorite artist.

14 DAY RETURNS

Easy 14 day returns to make sure you are satisfied with every purchase.



BACKGROUND INFORMATION
As a contraction, Neosaka is a quite fitting title: A futuristic megacity of potentially Japanese architecture with an immense stream of bright neon light flowing through the urban canyons. Away from the skyscrapers, seen from on high, the city lies in the darkness of night – eerie and menacing, but also enticing. The England-based 3D artist and photographer Emilis Baltrusaitis is an expert in such utopian scenes undoubtedly inspired by cinema and film.

Whether Blade Runner or a blockbuster in the best Hollywood tradition, the digitally designed and detail-rich scenes in Baltrusaitis’s pictures amaze the viewer by their similarity to cinematic predecessors and their simultaneous development of each particular genre. His digital neo-construction makes an inexplicably lively impression, like a painting by Alberto Pasini that has suddenly come to life, with figures from an Oriental market sauntering through the image, talking and calmly gesturing.

At the same time, there is a delirious mixing of epochs. Antiquity meets aeronautics in an exciting combination as floating taxis glide through a dystopian Istanbul fog. Proportions are liberally turned on their head, viewers can zoom in and out as they wish, and some parts of the city are even hanging upside down. Baltrusaitis’s worlds have their own laws of physics and aesthetics. Daytime is truly characterised by a glistening light, while the night is filled with a foggy but fundamentally mysterious, diffuse light.

Stephan Reisner

With registration, you agree to our terms and conditions as well as our privacy policy.