NY02 by Annette Herdemann
Annette Herdemann

NY02

2012 / 2012
Limited Edition, Edition of: 200, Signed
Limited Edition, Edition of: 100, Signed
19.7 x 26.0
39.4 x 52.4
Change Frame
Frame

Mounted on aluminium Dibond, depth 3 mm glossy, Frameless, 19.7 x 26.0" (External dimensions)

On premium paper. Not mounted or framed. Shipped rolled.

Change Frame
Frame

Mounted under acrylic glass, depth 2 mm glossy, Frameless, 39.4 x 52.4" (External dimensions)

On premium paper. Not mounted or framed. Shipped rolled.

$ 499.00
Plus tax and $ 34 in shipping. | Article No. AHR04
5721 NY02 https://img-lumas-avensogmbh1.netdna-ssl.com/showimg_ahr03_search.jpg 499 USD Annette Herdemann InStock /artists/urban monuments /artist/annette_herdemann /search/category/abstrakt_graphisch/catalog/topics/ /search/category/architektur_city/catalog/topics/ Lumas Buildings edifice Stars and Stripes ensigns ensign Metropolis Major cities Major City Cities City smudged graphic Abstract Collages Collage Digital Digital Art Metropolises New York USA America Architecture Sight Sights Chrysler Building Flag Flags blue High-rise building High-rise buildings Skyscraper Manhattan 2012-01-01
Background Information about Annette Herdemann
Introduction
Annette Herdemann

Some images are inescapably connected with a country, a city, or a nation: The Stars and Stripes, for example, or the Union Jack, or perhaps a yellow taxi. They symbolise countries and cities that are internationally recognised and, though they commonly appear on tourist souvenirs, they are also an integral part of many peoples’ identities. Annette Herdemann uses these powerful symbols as the colourful building blocks for her intricate collages, each of which tells the visual story of a city. The portraits composed by the young artist contain multiple perspectives, bringing together architectural landmarks, famous sites, and everyday scenes from across a city into a single, dynamic image. A white, cloudy, vertical hatch lends the pictures added intensity. The individual elements appear integrated, emerging from the blurry background suddenly and surprisingly, and with no respect to size. The viewer might recognise memorable traces of a busy city visit. Strong, unique impressions of a weekend break, whose own unique logic condenses dreamy impressions into a spectacular, scenic assault on the senses. It appears natural for a traffic light to lean over Brooklyn Bridge, giving a green light to the train below.

Stephan Reisner
Bio
1977Born in Ankum, Germany
1995Education in fashion & design
seit 2006Works as a photographer and designer
Lives and works near Osnabrück, Germany