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Ricoh Gerbl
How does a street determine where a person should go? Can I recognize from the constellations of a group of people how close the individuals are to each other? How can I, by erasing the details of a context, gain access to a purely associative space? How can I achieve the development of “complete” pictures in spite of this omission and… Read more
Intro Bio Exhibitions
Marseille, Freitag II
2. Von Montag - Sonntag
from $ 599 to $ 1,999
Marseille, Freitag IV
2. Von Montag - Sonntag
from $ 599 to $ 1,999
Marseille, Freitag III
2. Von Montag - Sonntag
from $ 599 to $ 1,999
Miami, Montag I
1. Von Montag - Sonntag
from $ 799 to $ 2,390
Miami, Montag III
1. Von Montag - Sonntag
from $ 649 to $ 2,190
Miami, Montag V
1. Von Montag - Sonntag
from $ 799 to $ 2,290
Miami, Montag IV
1. Von Montag - Sonntag
from $ 599 to $ 1,699
Miami, Montag II
1. Von Montag - Sonntag
from $ 649 to $ 1,699
Barcelona, Donnerstag VII
3. Von Montag - Sonntag
from $ 549 to $ 1,499
Barcelona, Donnerstag VI
3. Von Montag - Sonntag
from $ 549 to $ 1,399
Barcelona, Donnerstag VIII
3. Von Montag - Sonntag
from $ 549 to $ 1,599
Barcelona, Donnerstag V
3. Von Montag - Sonntag
from $ 549 to $ 1,599
Background Information about Ricoh Gerbl
Introduction
How does a street determine where a person should go? Can I recognize from the constellations of a group of people how close the individuals are to each other? How can I, by erasing the details of a context, gain access to a purely associative space? How can I achieve the development of “complete” pictures in spite of this omission and elimination of place-specific and social information, and in spite of overexposing the pictures? With her photographs of bright cities, constellations of people and situations from the series “From Monday to Sunday,” Berlin artist Ricoh Gerbl presents us with minimalist views in which “light itself” seems to paint and where her vocabulary of visual signs is reduced to the absolute minimum necessary.
Bio
| 1990-1997 | Work contract for photography, Senate of Berlin, social support for artists |
| 1993 | Work stipend for literature, Senate of Berlin, artist program |
| 1996 | Work stipend for fine arts, Senate of Berlin |
| 2004 | Residency grant for literature, Salzwedel |
| lives and works in Berlin | |
Publications
von hundert, 02-2008, Gespräch mit Ricoh Gerbl von Barbara Buchmaier
Eikon #54, Photografien für ein Projekt von Eve Sussman, 2007
Art in America, Photografien für ein Projekt von Eve Sussman, 2007
Flash Art Vol XXXIX No. 246, Photografien für ein Projekt von Eve Sussman, 2006
Camera Austria, Heft 74, 2001
Camera Austria, Heft 64, 1998
Eikon #54, Photografien für ein Projekt von Eve Sussman, 2007
Art in America, Photografien für ein Projekt von Eve Sussman, 2007
Flash Art Vol XXXIX No. 246, Photografien für ein Projekt von Eve Sussman, 2006
Camera Austria, Heft 74, 2001
Camera Austria, Heft 64, 1998
Exhibitions
Solo Exhibitions
| 2008 | Thank you for judging, Medizinhistorisches Museum of the Charité, Berlin |
| 2007 | Mittwoch, Visite ma tante, Berlin |
| 2004 | The Mother and Apartmentgrafting, Smack Mellon, New York |
| Expressgrafting, vier Apartments, New York | |
| 2000 | Kimmst amoi wieda zu mia, Künstlerhaus Bethanien, Berlin |
| 1999 | Die Wohnungspfropfungen, acht Wohnungen, Berlin |
| 1998 | Die Wohnungspropfungen, vier Wohnungen, Berlin |
| 1997 | Verharren in Zwischenstopps, Annelies Diltschev, Berlin |
| 1986 | Ich muss mich nur noch fertig machen, dann bin ich fertig, Die der Art guten Freunde, Berlin |
Group Exhibitions
| 2008 | Existence in a Letter, Cluster, Berlin |
| 2007 | Photographs for Eve Sussman’s The Rape of the Sabine Women, Hamburger Bahnhof, Berlin (video/photos/notes) |
| 2006 | von der Angst, Kunstverein Tiergarten, Berlin |
| Inselglück, Galerie Nord, Berlin | |
| Photographs for Eve Sussman’s The Rape of the Sabine Women, 89 seconds at Alcazar and other works, Thessaloniki Center for Arts and Culture, Thessaloniki | |
| 2005 | ZBO – Subduktive Massnahmen - 1500 Jahre Sonderschutz für 50 Kunstwerke, Zentraler Bergungsort Oberried / Breisgau, Bundeskunsthalle Bonn |
| Goldenes Zeitalter, Galerie Nord, Berlin | |
| 2002 | Gehag Forum, Berlin |
| 2001 | Familienbild, NGBK, Berlin |
| 1999 | Iokaste 2000 – eine fotografische Exkursion entlang der Nabelschnur, Schloss Wolkersdorf |
| 1998 | Untersicht, Kunstamt Mitte, Berlin |
| Fremde Welten, Wünsdorf | |
| 1996 | casa tua e casa mia, Amerikanische Akademie, Rom |
| 1995 | Bronwyn Keenan Gallery, New York |
| “Sculpture Space,” Munson-Williams-Proctor Museum, Utica, USA, film/video, “Die Platzsünde,” by Eve Sussman und Ricoh Gerbl, Text by Ricoh Gerbl und Ivana Mestrovic. | |
| 1994 | nicht nicht du, ich aber auch nicht, Galerie Acud, Berlin |
| Werkschau 2, Neues Kunstquartier, Berlin | |
| 1993 | bLICK fANG, Kulturhaus Treptow, Berlin |
| Künstler in Moabit stellen sich vor, Waldenser Ateliers, Berlin | |
| 1992 | Choice, Galerie A.I.R., New York |
| Auszug, Waldenser Ateliers, Berlin | |
| 1990 | Ausstellung im Atelier 1, Berlin |
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