| 2006 | Fantastic Tales: The Photography of Nan Goldin, Pennsylvania Academy of the Fine Arts, Philadelphia |
| 2005 | Fantastic Tales: The Photography of Nan Goldin, Palmer Museum of Art, University Park, Pennsylvania |
| Nan Goldin, Monika Spruth/Philomene Magers, Munich |
| STARDUST, Guido Costa Projects, Torino, ¬ Italy |
| 2004 | Sisters, Saints, and Sybils, La Chapelle de la Salpêtrière, Paris |
| 2003 | Musee d’Art Contemporain de Montreal, Quebec (catalogue) |
| Galerie Guy Bartschi, Geneva |
| Heartbeat, Matthew Marks Gallery, New York |
| 2001 | Le Feu Follet, Centre Georges Pompidou, Paris; Traveled as Devil’s Playground to Whitechapel Art Gallery, London; Still on Earth to Reina Sofia, Madrid; Fundação de Serralves, Porto; Castello di Rivoli, Turin; and Ujazdowski Castle, Warsaw |
| Memory Lost!, Matthew Marks Gallery, New York |
| Studio Casoli, Milan and Rome |
| 2000 | Scalo, Zurich |
| 1999 | Nan Goldin: Recent Photographs, Contemporary Arts Museum, Houston |
| National Gallery of Iceland, Reykjavik |
| The Joseloff Gallery, University of Hartford, Connecticut |
| Thanksgiving, White Cube/Jay Jopling, London |
| 1998 | Photographs, Galleri Faurschou, Copenhagen |
| Love Streams, Galerie Nordenhake, Stockholm |
| Catherine Edelman Gallery, Chicago |
| Nan Goldin: New Photographs, Matthew Marks Gallery, New York |
| Vaknin Schwartz, Atlanta |
| Reflections Through a Golden Eye, 1975-1998,Gagosian Gallery, Los Angeles |
| Jablonka Gallery, Cologne |
| Couples and Loneliness, Parco Gallery, Tokyo |
| Yamaguchi Prefectural Museum of Art, Yamaguchi-city, Japan |
| 1997 | Love Streams, Galerie Yvon Lambert, Paris |
| foto, Galleri Stefan Andersson, Umea, Sweden |
| 1996 | I’ll Be Your Mirror, Whitney Museum of American Art, New York; Traveled to Kunstmuseum, Wolfsburg; Stedelijk Museum, Amsterdam; Fotomuseum, Winterthur; Kunsthalle, Vienna; and Prague |
| Gandy Gallery, Prague |
| Nan Goldin: Children 1976-1996, Matthew Marks Gallery, New York |
| 1995 | Nan Goldin: The Ballad of Sexual Dependency and New Photographs, Matthew Marks Gallery, New York |
| Rebecca Camhi Gallery, Athens |
| Centre d’Art Contemporain, Geneva |
| The Golden Years, Galerie Yvon Lambert, Paris |
| Art and Public, Geneva |
| Jane Corkin Gallery, Toronto |
| The Ballad of Sexual Dependency, Ulmer Museum, Ulm, Germany |
| Gallery M & R Fricke, (with Kiki Smith), Düsseldorf |
| 1994 | Die Neue Nationalgalerie, Berlin |
| A Double Life, Bruno Brunnet Fine Arts, (with David Armstrong), Berlin; Traveled to Museum für Gestaltung, Zurich |
| Fraenkel Gallery, San Francisco |
| Tokyo Love, Shiseido Artspace, (with Nobuyoshi Araki), Tokyo |
| 1993 | A Double Life, Matthew Marks Gallery, (with David Armstrong), New York |
| Galerie Barbara Weiss, Berlin |
| Galerie Fotohof, Salzburg, Austria |
| The Other Side, 1972-1993, Pace/MacGill Gallery, New York |
| Stelling Gallery, Leiden, The Netherlands |
| ICAC Weston Gallery, Tokyo |
| La Vida Sin Amor No Tiene Sentido, Fundacio “la Caixa,” Barcelona |
| Ludwig Forum fur Internationale Kunst, Aachen, Germany |
| Robert Klein Gallery, (with Philip-Loca di Corcia), Boston |
| Balladen om det sexuella beroendet, Fotografiska Museet, Moderna Museet, Stockholm |
| Galerie Marktschlobchen, Halle, Germany |
| 1992 | Fotoarbeiten 1972-1992, DAAD Galerie, Berlin |
| Obsessions, Orangerie München, Munich |
| The Ballad of Sexual Dependency/ The Cookie Mueller Portfolio, Galerie m, Bochum, Germany |
| PPS Galerie, Berlin |
| Separate Worlds, (with Gundula Schulze), Kunst-Werke, Berlin |
| Stelling Gallery, Leiden, The Netherlands |
| Galerie Gisela Capitain, Cologne |
| 1991 | Life/Loss/Obsession, Fotografische Sammlung, Museum Folkwang, Essen, Germany |
| PPS Galerie, Hamburg |
| Thomas Segal Gallery, Boston |
| Shoshana Wayne Gallery, Santa Monica |
| The Other Side, Boston, 1972-1974/Hi Girl, New York City 1990-1991, Galerie du Jour, agnes b., Paris |
| Forum Stadtpark, Graz, Austria |
| Berlin Film Festival, Germany |
| Galerie Urbi et Orbi, Paris |
| 1990 | Pace/MacGill Gallery, New York |
| The Cookie Portfolio 1976-89, Photographic Resource Center, Boston |
| 1989 | Brandts Kaedefabrik, Odense, Denmark |
| Mira Gallery, Stockholm |
| Finnfoto, Helsinki |
| 1988 | Indiana University Gallery, Bloomington |
| Couples, Pace/MacGill Gallery, New York |
| Blue Sky Gallery, Portland, Oregon |
| Thomas Segal Gallery, Boston |
| Ballad of Sexual Dependency, Catherine Edelman Gallery, Chicago |
| Houston Foto Fest, Rice University Media Center, Texas |
| Real Art Ways, Hartford |
| 1987 | Les Recontres d'Arles, Arles, France |
| Film in the Cities, Minneapolis |
| Middendorf Gallery, Washington, DC |
| 1986 | The Ballad of Sexual Dependency Burden Gallery, Aperture Foundation, New York |
| Jay Gorney Modern Art, (with Tim Rollins + K.O.S), New York |
| 1985 | Currents, The Institute of Contemporary Art, Boston |
| Christminster Gallery, New York |
| 1977 | Atlantic Gallery, (with David Armstrong), Boston |
| 1973 | Project, Inc., Cambridge, Massachusetts |
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| 2005 | Getting Emotional, Institute of Contemporary Arts, Boston |
| Landscape/Cityscape, Marlborough Gallery, New York |
| Inside Out Loud: Visualizing Women’s Health in Contemporary Art, Mildred Lane Kemper Art Museum, Washington University in St. Louis, Missouri |
| 2004 | Out of Place, Galerie Nordenhake, Berlin, Germany |
| About Face: Photographic Portraits from the Collection, The Art Institute of Chicago, Chicago, Illinois |
| Faces in the Crowd: Picturing Modern Life from Manet to Today, Whitechapel Gallery, London |
| East Village USA, The New Museum of Contemporary Art, New York |
| PILLish: Harsh Realities and Gorgeous Destinations, Museum of Contemporary Art, Denver, Colorado |
| In Bed, The Toyota Municipal Museum of Art, Toyota Aichi, JapanIn Bed, The Toyota Municipal Museum of Art, Toyota Aichi, Japan |
| Perspectives @ 25: A Quarter Century of New Art in Houston, Contemporary Arts Museum Houston, Texas |
| Artists’ Favourites, ICA Galleries, The Mall, London |
| Fictioning Fashion, Museum of Modern Art, New York |
| Likeness: Portraits of Artists by Other Artists, CCA Wattis Institute for Contemporary Arts, San Francisco |
| Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum of American Art, New York |
| Social Strategies: Redefining Social Realism, Schick Art Gallery, Skidmore College, Saratoga Springs, New York |
| Double Takes, transformations through the lens, Herbert F. Johnson Museum of Art, Cornell University |
| Wirklich Wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum Essen, Germany |
| 2003 | Urban Dramas, De Singel International Kunstcentrum, Antwerp, Belgium |
| Family Ties, Peabody Essex Museum, Salem, Massachusetts |
| Enchanted Evening, Yancey Richardson Gallery, New York |
| Flesh Tones: 100 Years of the Nude, Robert Mann Gallery, New York |
| American Beauty: From Muybridge to Goldin, Art Gallery of New South Wales, Sydney |
| The Auroral Light: Photographs By Women, The Grolier Club, New York |
| Both Sides of the Street: Celebrating the Corcoran’s Photography Collection, Corcoran Gallery of Art, Washington |
| Social Strategies: Redefining Social Realism, University Art Museum, University of California, Santa Barbara; Travels to University Galleries, Illinois State University, Illinois; DePauw University Art Gallery, Greencastle, Indiana |
| Imperfect Innocence, The Debra and Dennis Scholl Collection, Palm Beach Institute of Contemporary Art, Lake Worth, Florida |
| The family: an exhibition of photography, The Gallery at Windsor, Vero Beach, Florida |
| To Eat or not to Eat: Or the relations of art with questions of eating, Centro de Arte de Salamanca, Salamanca, Spain |
| Contemporary Photography from the Harn Museum Collection, University of Florida, Gainesville, Florida |
| Only Skin Deep, Changing Visions of the American Self, International Center of Photography, New York |
| Pictures of You, Galeria Estrany – De la Mota, Barcelona |
| 2002 | Sex, Karyn Lovegrove Gallery, Los Angeles, California |
| Mask or Mirror? A Play of Portraits, Worcester Art Museum, Massachusetts |
| Cars; Surrounding Interiors, Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis |
| Acquisitions 2001, Part I: Photographs, Video Installations, Video, National Museum of Contemporary Art, Athens |
| Inside Cars, Museum of Art, Fort Lauderdale, Florida; Traveled to Davis Museum and Cultural Center, Wellesley College, Massachusetts; and the Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis |
| Family, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut |
| Visions from America: Photographs from The Whitney Museum of American Art, 1940-2001, Whitney Museum of American Art, New York |
| Moving Pictures, Solomon R. Guggenheim Museum, New York; Travels to Solomon R. Guggenheim Museum, Bilbao, Spain |
| New York: Capital of Photography, The Jewish Museum, New York; Travels to Musée de l'Elysée Lausanne, Switzerland |
| The Nude in 20th Century Art, Kunsthalle in Emden, Germany |
| 2001 | Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York |
| Settings and Players, White Cube/Jay Jopling, London |
| Collaborations with Parkett 1984 to Now, The Museum of Modern Art, New York |
| 1999 | Angles of Incidence, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York |
| Photographs: A Decade of Collecting, The Metropolitan Museum of Art, New York |
| The 46thBiennial Exhibition, Corcoran Museum of Art, Washington, DC |
| Couples, Cheim and Read, New York |
| Essenbilder Dörrie / Priess, Hamburg |
| Photography Now, Contemporary Arts Center, New Orleans |
| Rendez-vous #2, Collection Lambert en Avignon, Avignon, France |
| Rendez-vous #1, Collection Lambert en Avignon, Avignon, France |
| Food for Thought, New Jersey Center for Visual Arts, Summit, New JerseyViews from the Edge of the World, Marlborough Gallery, New York |
| Views from the Edge of the World, Marlborough Gallery, New York |
| Spring Visiting Faculty, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts |
| Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York |
| 1998 | Emotions and Relations, Hamburger Kunsthalle |
| Remix, Musée des Beaux-Arts de Nantes, Nantes, France |
| 1997 | The 90s: A Family of Man?, Casino Luxembourg, Forum d’Art Contemporain, Luxembourg |
| Family and Friends, The Museum of Contemporary Photography, Columbia College, Chicago |
| Identity Crisis: Self-Portraiture at the End of the Century, Milwaukee Art Museum, Wisconsin |
| Rrose is a Rrose is a Rrose: Gender Performance in Photography, Solomon R. Guggenheim Museum, New York |
| Countenance, Galerie Thaddaeus Ropac, Salzburg, Austria |
| Rineke Dijkstra, Nan Goldin, Mike Kelley, Sharon Lockhart Museum Boijmans Van Beuningen, Rotterdam |
| Defining Eye: Women Photographers of the 20th Century, The Saint Louis Art Museum; Traveled to The Museum of Fine Arts, Santa Fe; The Mead Museum of Art, Amherst; and The Wichita Art Museum, Kansas |
| 1996 | By Night, Fondation Cartier pour l’art contemporain, Paris |
| The American Trip: Larry Clark, Nan Goldin, Cady Noland, Richard Prince, The Power Plant, Contemporary Art Gallery at Harbourfront Centre, Toronto |
| Nudo & Crudo, Claudia Gian Ferrari Arte Contemporanea, Milan |
| Hospice: A Photographic Inquiry, Corcoran Gallery of Art, Washington, DC; Traveled to Wexner Center, Columbus, Ohio |
| Urgence, CAPCMusée d’Art Contemporain, Bordeaux |
| Social Documents, Museum of Contemporary Art, Los Angeles |
| Happy End: Zukunfts-und Endzeitvisionen der 90er Jahre, Kunsthalle Düsseldorf, Germany |
| The Photographic Collections of the City of Paris: New Acquisitions, Une aventure contemporaine, la photographie 1955-1995, Maison européenne de la photographie, Paris |
| Sugar Mountain, White Columns Gallery, New York |
| Sex and Crime: Von den Verhältnissen der Menschen, Sprengel Museum, Hannover, Germany |
| Pictures of Modern Life, Galerie Rodolphe Janssen, Brussels |
| Passage a l’Acte, Galerie Jennifer Flay, Paris |
| Biennale of Sydney, Australia |
| It’s a She-Thing: Representations of Women in the Rivendell Collection, Bard College Center for Curatorial Studies, Annandale-on-Hudson, New York |
| 1995 | Public Information: Desire, Disaster, Document, San Francisco Museum of Modern Art ; Traveled to The Power Plant, Contemporary Art Gallery, Toronto, Canada |
| Biennial Exhibition, Whitney Museum of American Art, New York |
| In a Different Light, University Art Museum and Pacific Film Archive, University of California at Berkeley |
| Faculty Works on Paper, Yale University School of Art, New Haven |
| Photography Today, Sonje Museum of Contemporary Art, Kyongju, Korea |
| Fémininmasculin: Le Sexe de l’Art, Centre Georges Pompidou, Paris |
| Boston School, The Institute of Contemporary Art, Boston |
| Mother Jones 1989-1995, Centro de la Imagen, Mexico City |
| . . . It’s How You Play the Game, Exit Art / The First World, New York |
| Altered States: American Art in the 90’s, Forum for Contemporary Art, St. Louis |
| Camera Craft, Judy Ann Goldman Fine Art at Beth Urdang Gallery, Boston |
| Art Against Aids, Galleri Nicolai Wallner, Copenhagen |
| Close to Life, International Foto-Triennial, Esslingen, Germany |
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Brandeis Award in Photography, 1994
Louis Comfort Tiffany Foundation Award, 1991
DAAD, Artists-in-Residence Program, Berlin, 1991
National Endowment of Arts, Washington, DC, 1991
Mother Jones Documentary Photography Award, San Francisco, 1990
Art Matters, Inc., New York, 1990
Camera Austria Prize for Contemporary Photography, Graz, 1989
Maine Photographic Workshop Book Award, Documentary Book of the Year, 1987
Photographic Book Prize of the Year, Les Rencontres d'Arles, 1987
Kodak Photobuchpreis, Stuttgart, 1987
Englehard Award, Boston, 1986
School of the Museum of Fine Arts Alumni Traveling Fellowship, Boston, 1986
Clarissa Bartlett Traveling Fellowship, Boston, 1978
Wilhelmina Jackson Fellowship, Marblehead, MA, 1977
