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“Meaningless, nameless places that are given significance for a moment fascinate me.” If you look at the world from this perspective, there are endless numbers of “non-places” that reveal their inner beauty only to those who possess the eye and the alert thoughtfulness. Swiss photographer Anna Halm Schudel (*1945) has been photographing one project for years that actually has neither beginning nor end. She started out on her “never-ending journey” a trip through the seemingly inconspicuous, the fleeting, everything that whooshes by on her car drives that she captures with her camera. A building as a fleck of color, a copse of trees as if the landscape were marked with creatures, a guard rail on the side of the road: motifs whose banality becomes pure emotion through Halm Schudel’s eye, becoming moving landscape pictures per se, settled between figurative painting and classical landscape photography. “Paradoxically it is exactly in this blurriness that clarity emerges; metamorphoses also occurring that testify to the relationship between nature and things of culture.” Michael Pfister in the foreword to the book “The never-Ending Journey”