| 2005 | Getting Emotional, Institute of Contemporary Arts, Boston |
| Landscape/Cityscape, Marlborough Gallery, New York |
| Inside Out Loud: Visualizing Women’s Health in Contemporary Art, Mildred Lane Kemper Art Museum, Washington University in St. Louis, Missouri |
| 2004 | Out of Place, Galerie Nordenhake, Berlin, Germany |
| About Face: Photographic Portraits from the Collection, The Art Institute of Chicago, Chicago, Illinois |
| Faces in the Crowd: Picturing Modern Life from Manet to Today, Whitechapel Gallery, London |
| East Village USA, The New Museum of Contemporary Art, New York |
| PILLish: Harsh Realities and Gorgeous Destinations, Museum of Contemporary Art, Denver, Colorado |
| In Bed, The Toyota Municipal Museum of Art, Toyota Aichi, JapanIn Bed, The Toyota Municipal Museum of Art, Toyota Aichi, Japan |
| Perspectives @ 25: A Quarter Century of New Art in Houston, Contemporary Arts Museum Houston, Texas |
| Artists’ Favourites, ICA Galleries, The Mall, London |
| Fictioning Fashion, Museum of Modern Art, New York |
| Likeness: Portraits of Artists by Other Artists, CCA Wattis Institute for Contemporary Arts, San Francisco |
| Inside Out: Portrait Photographs from the Permanent Collection, Whitney Museum of American Art, New York |
| Social Strategies: Redefining Social Realism, Schick Art Gallery, Skidmore College, Saratoga Springs, New York |
| Double Takes, transformations through the lens, Herbert F. Johnson Museum of Art, Cornell University |
| Wirklich Wahr! Realitätsversprechen von Fotografien, Ruhrlandmuseum Essen, Germany |
| 2003 | Urban Dramas, De Singel International Kunstcentrum, Antwerp, Belgium |
| Family Ties, Peabody Essex Museum, Salem, Massachusetts |
| Enchanted Evening, Yancey Richardson Gallery, New York |
| Flesh Tones: 100 Years of the Nude, Robert Mann Gallery, New York |
| American Beauty: From Muybridge to Goldin, Art Gallery of New South Wales, Sydney |
| The Auroral Light: Photographs By Women, The Grolier Club, New York |
| Both Sides of the Street: Celebrating the Corcoran’s Photography Collection, Corcoran Gallery of Art, Washington |
| Social Strategies: Redefining Social Realism, University Art Museum, University of California, Santa Barbara; Travels to University Galleries, Illinois State University, Illinois; DePauw University Art Gallery, Greencastle, Indiana |
| Imperfect Innocence, The Debra and Dennis Scholl Collection, Palm Beach Institute of Contemporary Art, Lake Worth, Florida |
| The family: an exhibition of photography, The Gallery at Windsor, Vero Beach, Florida |
| To Eat or not to Eat: Or the relations of art with questions of eating, Centro de Arte de Salamanca, Salamanca, Spain |
| Contemporary Photography from the Harn Museum Collection, University of Florida, Gainesville, Florida |
| Only Skin Deep, Changing Visions of the American Self, International Center of Photography, New York |
| Pictures of You, Galeria Estrany – De la Mota, Barcelona |
| 2002 | Sex, Karyn Lovegrove Gallery, Los Angeles, California |
| Mask or Mirror? A Play of Portraits, Worcester Art Museum, Massachusetts |
| Cars; Surrounding Interiors, Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis |
| Acquisitions 2001, Part I: Photographs, Video Installations, Video, National Museum of Contemporary Art, Athens |
| Inside Cars, Museum of Art, Fort Lauderdale, Florida; Traveled to Davis Museum and Cultural Center, Wellesley College, Massachusetts; and the Frederick R. Weisman Art Museum, University of Minnesota, Minneapolis |
| Family, Aldrich Museum of Contemporary Art, Ridgefield, Connecticut |
| Visions from America: Photographs from The Whitney Museum of American Art, 1940-2001, Whitney Museum of American Art, New York |
| Moving Pictures, Solomon R. Guggenheim Museum, New York; Travels to Solomon R. Guggenheim Museum, Bilbao, Spain |
| New York: Capital of Photography, The Jewish Museum, New York; Travels to Musée de l'Elysée Lausanne, Switzerland |
| The Nude in 20th Century Art, Kunsthalle in Emden, Germany |
| 2001 | Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York |
| Settings and Players, White Cube/Jay Jopling, London |
| Collaborations with Parkett 1984 to Now, The Museum of Modern Art, New York |
| 1999 | Angles of Incidence, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York |
| Photographs: A Decade of Collecting, The Metropolitan Museum of Art, New York |
| The 46thBiennial Exhibition, Corcoran Museum of Art, Washington, DC |
| Couples, Cheim and Read, New York |
| Essenbilder Dörrie / Priess, Hamburg |
| Photography Now, Contemporary Arts Center, New Orleans |
| Rendez-vous #2, Collection Lambert en Avignon, Avignon, France |
| Rendez-vous #1, Collection Lambert en Avignon, Avignon, France |
| Food for Thought, New Jersey Center for Visual Arts, Summit, New JerseyViews from the Edge of the World, Marlborough Gallery, New York |
| Views from the Edge of the World, Marlborough Gallery, New York |
| Spring Visiting Faculty, Carpenter Center for the Visual Arts, Harvard University, Cambridge, Massachusetts |
| Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, Staten Island, New York |
| 1998 | Emotions and Relations, Hamburger Kunsthalle |
| Remix, Musée des Beaux-Arts de Nantes, Nantes, France |
| 1997 | The 90s: A Family of Man?, Casino Luxembourg, Forum d’Art Contemporain, Luxembourg |
| Family and Friends, The Museum of Contemporary Photography, Columbia College, Chicago |
| Identity Crisis: Self-Portraiture at the End of the Century, Milwaukee Art Museum, Wisconsin |
| Rrose is a Rrose is a Rrose: Gender Performance in Photography, Solomon R. Guggenheim Museum, New York |
| Countenance, Galerie Thaddaeus Ropac, Salzburg, Austria |
| Rineke Dijkstra, Nan Goldin, Mike Kelley, Sharon Lockhart Museum Boijmans Van Beuningen, Rotterdam |
| Defining Eye: Women Photographers of the 20th Century, The Saint Louis Art Museum; Traveled to The Museum of Fine Arts, Santa Fe; The Mead Museum of Art, Amherst; and The Wichita Art Museum, Kansas |
| 1996 | By Night, Fondation Cartier pour l’art contemporain, Paris |
| The American Trip: Larry Clark, Nan Goldin, Cady Noland, Richard Prince, The Power Plant, Contemporary Art Gallery at Harbourfront Centre, Toronto |
| Nudo & Crudo, Claudia Gian Ferrari Arte Contemporanea, Milan |
| Hospice: A Photographic Inquiry, Corcoran Gallery of Art, Washington, DC; Traveled to Wexner Center, Columbus, Ohio |
| Urgence, CAPCMusée d’Art Contemporain, Bordeaux |
| Social Documents, Museum of Contemporary Art, Los Angeles |
| Happy End: Zukunfts-und Endzeitvisionen der 90er Jahre, Kunsthalle Düsseldorf, Germany |
| The Photographic Collections of the City of Paris: New Acquisitions, Une aventure contemporaine, la photographie 1955-1995, Maison européenne de la photographie, Paris |
| Sugar Mountain, White Columns Gallery, New York |
| Sex and Crime: Von den Verhältnissen der Menschen, Sprengel Museum, Hannover, Germany |
| Pictures of Modern Life, Galerie Rodolphe Janssen, Brussels |
| Passage a l’Acte, Galerie Jennifer Flay, Paris |
| Biennale of Sydney, Australia |
| It’s a She-Thing: Representations of Women in the Rivendell Collection, Bard College Center for Curatorial Studies, Annandale-on-Hudson, New York |
| 1995 | Public Information: Desire, Disaster, Document, San Francisco Museum of Modern Art ; Traveled to The Power Plant, Contemporary Art Gallery, Toronto, Canada |
| Biennial Exhibition, Whitney Museum of American Art, New York |
| In a Different Light, University Art Museum and Pacific Film Archive, University of California at Berkeley |
| Faculty Works on Paper, Yale University School of Art, New Haven |
| Photography Today, Sonje Museum of Contemporary Art, Kyongju, Korea |
| Fémininmasculin: Le Sexe de l’Art, Centre Georges Pompidou, Paris |
| Boston School, The Institute of Contemporary Art, Boston |
| Mother Jones 1989-1995, Centro de la Imagen, Mexico City |
| . . . It’s How You Play the Game, Exit Art / The First World, New York |
| Altered States: American Art in the 90’s, Forum for Contemporary Art, St. Louis |
| Camera Craft, Judy Ann Goldman Fine Art at Beth Urdang Gallery, Boston |
| Art Against Aids, Galleri Nicolai Wallner, Copenhagen |
| Close to Life, International Foto-Triennial, Esslingen, Germany |
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